2. swade
3. swpf-core-rules.swpf-rules
4. Chinese (Simplified Han script)

<div>
<h1 class="wide no-toc">Travel</h1>
<p>
Many epic tales feature trips across great expanses. A party may sail the
Inner Sea or ride across the frontier of Varisia or navigate every district
in Absalom.
</p>
<p>
Below are some guidelines to help you figure out how long these journeys
take and what dramatic events might happen along the way.
</p>
<p>
<strong>When to Use These Rules:</strong> If it doesn’t matter how long the
trip takes, skip all this. Narrate the journey, maybe do an
<strong>@UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore04theadv.JournalEntryPage.04interludes0000]{Interlude}</strong>, and get to the next scene. If you
need to know how long the trip takes, or want to insert an obstacle or
encounter of some sort, use the information below as a guideline.
</p>
<p>
<strong>The Basics:</strong> The mode of travel determines how many miles the group makes per day.
</p>

<h2>Travel Times</h2>

<p>
The rates below assume reasonable terrain and weather. Difficult conditions
can drastically decrease progress (or increase it in the case of sailing
with strong winds).
</p>
<table style="width:50%">
<colgroup>
<col></col>
<col></col>
</colgroup>
<tbody>
<tr>
<th class="main-heading" colspan="2">Average Travel Times</th>
</tr>
<tr>
<th class="sub-heading left">Transport</th>
<th class="sub-heading">Miles/8 hour Day</th>
</tr>
<tr>
<td>Foot</td>
<td class="centered">24</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Horse, Light]{Horse}</td>
<td class="centered">30</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Cart]{Cart} (one beast)</td>
<td class="centered">30</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Carriage]{Carriage}</td>
<td class="centered">40</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Wagon, Light]{Wagon} (per beast)</td>
<td class="centered">30</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Rowboat]{Rowboat}</td>
<td class="centered">24</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Sailing Ship]{Sailing Ship}*</td>
<td class="centered">30</td>
</tr>
<tr>
<td>Steam Ship*</td>
<td class="centered">40</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Airship (Dirigible)]{Airship (Dirigible)}</td>
<td class="centered">80</td>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Glider]{Glider}</td>
<td class="centered">60</td>
</tr>
</tbody>
</table>

<p>
<em>
*Sailing ships are greatly affected by currents and winds. Strong winds or
currents in the right direction allow them to travel about 60 miles per
day. Poor winds or going against the current reduce them to 20 miles per
day or less.
</em>
</p>

<h2>Encounters</h2>

<p>
If an area is dangerous or lawless, draw a card from the @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore03rules0.JournalEntryPage.03rules000000000]{Action Deck} once
per day (or even two or three times a day in particularly dangerous areas).
A face card or higher represents an encounter, and the card suit can be used
to determine the type.
</p>
<p>
Draw twice more if the card is a Joker and combine the results — such as Enemies and an Obstacle, or Strangers and Treasure.
</p>
<p>
Game Masters are highly encouraged to customize encounters based on their setting.
</p>
<ul>
<li>
<span class="list-heading">Spades — Enemies:</span> Monsters, enemies, or hostile beasts
bar the way. Perhaps they lie in ambush if it’s a popular path, waiting
for the next band of unwary travelers.
</li>
<li>
<span class="list-heading">Hearts — Strangers:</span> The group comes upon neutral or
friendly nonplayer characters such as merchants, lost travelers, a
guide, or even other adventurers.
</li>
<li>
<span class="list-heading">Diamond — Treasure:</span> Somewhere along the way is something
of value — a caravan eager for trade or a forgotten ruin with treasure— and
guardians to protect it!
</li>
<li>
<span class="list-heading">Clubs — Obstacle:</span> The heroes encounter an obstacle of
some kind and must figure out how to circumvent it. Some examples are a
flooded river, a decaying rope bridge, a dangerous whirlpool, etc. The
obstacle might be defended by creatures or enemies as well.
</li>
</ul>

<h2 class="example">Example: Cinderlands</h2>
<p>
Our heroes are traveling across the frontier of Varisia, traversing the burning plains of the Cinderlands.
</p>
<p>
The GM draws a Jack of Clubs and decides the area is currently in the throes of an emberstorm— a dangerous black blizzard of dust and ash. This slows progress to a crawl for hours and makes the characters roll for @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore03rules0.JournalEntryPage.03situationalr00]{Fatigue} from heat and the relentless dusty winds (see the <strong>@UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore04theadv.JournalEntryPage.04hazards0000000]{Hazards}</strong> section).
</p>
<p>
The GM draws again later that day and gets a Queen of Spades. From an unseen burrow under the charred ground, an ankheg surfaces, hungry for fresh prey.
</p>
<div><img src="modules/swpf-core-rules/assets/art/p166_Mokmurian_Fight.webp" alt="wizard blocking golems attack with a shield spell" /></div>
</div>

<div class="swpf-core">
<h1 class="wide">旅行</h1><p>许多史诗般的故事里面都涉及长途跋涉的远行。团队可能会在内海航行，骑行穿过瓦瑞西亚的边界或是穿行于艾巴萨罗姆各区。</p>
<p>以下是一些有助于搞清楚这些旅途需要花费多长时间以及沿途会发生什么戏剧性事件的指引。</p>
<p><strong>何时使用这些规则</strong>：如果旅途要花多长时间并不重要，则全部跳过。描述这场旅途，也许可以进行一次<strong>幕间</strong>(157页)，然后转到下个场景。</p>
<p>如果有需要搞清楚旅途所需时间，或是打算在其中插入某种障碍或遭遇，则可将下列内容作为指引。</p>
<p><strong>基础</strong>：旅游的模式决定了团队每天能前进多少英里。</p>
<h2>旅行时间</h2>
<p>下列速度是基于地形和天气均为理想的假设。恶劣条件会使前进速度大为下降(或是使之大为提高，诸如在强风中扬帆航行)。</p>
<table>
<thead>
<tr>
<th class="main-heading" colspan="2">平均旅行时间</th></tr><tr>
<th class="sub-heading">交通方式</th>
<th class="sub-heading">英里/每天8小时</th>
</tr>
</thead>
<tbody>
<tr>
<td class="centered">徒步</td>
<td class="centered">24</td>
</tr>
<tr>
<td class="centered">马匹</td>
<td class="centered">30</td>
</tr>
<tr>
<td class="centered">二轮马车</td>
<td class="centered">30</td>
</tr>
<tr>
<td class="centered">运客马车</td>
<td class="centered">40</td>
</tr>
<tr>
<td class="centered">运货马车</td>
<td class="centered">30</td>
</tr>
<tr>
<td class="centered">划艇</td>
<td class="centered">24</td>
</tr>
<tr>
<td class="centered">帆船*</td>
<td class="centered">30</td>
</tr>
<tr>
<td class="centered">蒸汽轮船*</td>
<td class="centered">40</td>
</tr>
<tr>
<td class="centered">飞艇(可驾驶)</td>
<td class="centered">80</td>
</tr>
<tr>
<td class="centered">滑翔机</td>
<td class="centered">60</td>
</tr>
</tbody>
</table>
<p><em>*帆船都会极大地受到洋流和风的影响。强风或是方向正确的洋流都能让其每天行进约60英里。微风或是走向相反的洋流都会令其速度下降到每天20英里甚至</em></p>
<p><em>更低。</em></p>
<h2>遭遇</h2>
<p>如果区域危机四伏或是属于无法之地，则每天从行动牌堆里抽一张卡(在特别危险的区域里面甚至可以每天抽两到三次卡)。如果是人像牌或在此之上的结果代表发生遭遇，具体种类通过花色来决定。</p>
<p>如果抽出鬼牌，则再抽两次，并将结果合并——比如遇敌和障碍，或是邂逅和财宝。</p>
<p>在此强烈推荐GM基于设定来设计遭遇。</p>
<ul>
<li><strong>黑桃-遇敌</strong>：怪物、敌人或是虎视眈眈的野兽拦住了去路。若这条路线颇受欢迎，则它们可能会埋伏，等候着下一帮粗心的过客</li>
<li><strong>红心-邂逅</strong>：团队与中立或是友善的NPC相遇，譬如商人、迷路的旅客、向导，甚至是其他冒险者。</li>
<li><strong>方片-财宝</strong>：沿途某处存在有价值的事物——渴望交易的篷车队，或是内有财宝的失落废墟。(还有镇守于此的守卫！)</li>
<li><strong>梅花-障碍</strong>：英雄遭遇了某种障碍，必须要想办法加以克服。例如泛滥河流、腐烂索桥、危险旋涡等等。该障碍也可能会被某些生物或敌人所保护。</li>
</ul>
<h2 class="example">例子：灰烬之地</h2>
<p>英雄正在旅行穿过瓦瑞西亚的边界，横越灰烬之地的燃烧平原。</p>
<p>GM抽出了一张梅花J，并决定这片地区现在正有余烬风暴(沙尘与灰烬构成的危险黑色风暴)肆虐。行进因此沦为了为期数小时的爬行，而且角色必须因为炎热和无休止的扬尘大风(见151页的<strong>危难</strong>部分)而进行疲乏投骰。</p>
<p>GM在当日稍后再次抽卡，并抽出了黑桃Q，因此焦黑地表下某处隐藏地洞中爬出了一条掘地虫，饥肠辘辘地寻找着新鲜的猎物。</p>
<div><img src="modules/swpf-core-rules/assets/art/p166_Mokmurian_Fight.webp" alt="wizard blocking golems attack with a shield spell"></div></div>

<div class="swpf-core">
<h1 class="wide no-toc">Travel</h1>
<p>
Many epic tales feature trips across great expanses. A party may sail the
Inner Sea or ride across the frontier of Varisia or navigate every district
in Absalom.
</p>
<p>
Below are some guidelines to help you figure out how long these journeys
take and what dramatic events might happen along the way.
</p>
<p>
<strong>When to Use These Rules:</strong> If it doesn’t matter how long the
trip takes, skip all this. Narrate the journey, maybe do an
<strong>@UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore04theadv.JournalEntryPage.04interludes0000]{Interlude}</strong>, and get to the next scene. If you
need to know how long the trip takes, or want to insert an obstacle or
encounter of some sort, use the information below as a guideline.
</p>
<p>
<strong>The Basics:</strong> The mode of travel determines how many miles the group makes per day.
</p>

<h2>Travel Times</h2>

<p>
The rates below assume reasonable terrain and weather. Difficult conditions
can drastically decrease progress (or increase it in the case of sailing
with strong winds).
</p>
<table style="width: 50%;">
<colgroup>
<col>
<col>
<col></col>
<col></col>
</colgroup>
<tbody>
<tr>
<tr>
<th class="main-heading" colspan="2">Average Travel Times</th>
</tr>
<tr>
</tr>
<tr>
<th class="sub-heading left">Transport</th>
<th class="sub-heading">Miles/8 hour Day</th>
</tr>
<tr>
</tr>
<tr>
<td>Foot</td>
<td class="centered">24</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Horse, Light]{Horse}</td>
<td class="centered">30</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Cart]{Cart} (one beast)</td>
<td class="centered">30</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Carriage]{Carriage}</td>
<td class="centered">40</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Wagon, Light]{Wagon} (per beast)</td>
<td class="centered">30</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Rowboat]{Rowboat}</td>
<td class="centered">24</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Sailing Ship]{Sailing Ship}*</td>
<td class="centered">30</td>
</tr>
<tr>
</tr>
<tr>
<td>Steam Ship*</td>
<td class="centered">40</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Airship (Dirigible)]{Airship (Dirigible)}</td>
<td class="centered">80</td>
</tr>
<tr>
</tr>
<tr>
<td>@Compendium[swpf-core-rules.swpf-actors.Glider]{Glider}</td>
<td class="centered">60</td>
</tr>
</tbody>
</table>

<p>
<em>
*Sailing ships are greatly affected by currents and winds. Strong winds or
currents in the right direction allow them to travel about 60 miles per
day. Poor winds or going against the current reduce them to 20 miles per
day or less.
</em>
</p>

<h2>Encounters</h2>

<p>
If an area is dangerous or lawless, draw a card from the @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore03rules0.JournalEntryPage.03rules000000000]{Action Deck} once
per day (or even two or three times a day in particularly dangerous areas).
A face card or higher represents an encounter, and the card suit can be used
to determine the type.
</p>
<p>
Draw twice more if the card is a Joker and combine the results — such as Enemies and an Obstacle, or Strangers and Treasure.
</p>
<p>
Game Masters are highly encouraged to customize encounters based on their setting.
</p>
<ul>
<li>
<span class="list-heading">Spades — Enemies:</span> Monsters, enemies, or hostile beasts
bar the way. Perhaps they lie in ambush if it’s a popular path, waiting
for the next band of unwary travelers.
</li>
<li>
<span class="list-heading">Hearts — Strangers:</span> The group comes upon neutral or
friendly nonplayer characters such as merchants, lost travelers, a
guide, or even other adventurers.
</li>
<li>
<span class="list-heading">Diamond — Treasure:</span> Somewhere along the way is something
of value — a caravan eager for trade or a forgotten ruin with treasure— and
guardians to protect it!
</li>
<li>
<span class="list-heading">Clubs — Obstacle:</span> The heroes encounter an obstacle of
some kind and must figure out how to circumvent it. Some examples are a
flooded river, a decaying rope bridge, a dangerous whirlpool, etc. The
obstacle might be defended by creatures or enemies as well.
</li>
</ul>

<h2 class="example">Example: Cinderlands</h2>
<p>
Our heroes are traveling across the frontier of Varisia, traversing the burning plains of the Cinderlands.
</p>
<p>
The GM draws a Jack of Clubs and decides the area is currently in the throes of an emberstorm— a dangerous black blizzard of dust and ash. This slows progress to a crawl for hours and makes the characters roll for @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore03rules0.JournalEntryPage.03situationalr00]{Fatigue} from heat and the relentless dusty winds (see the <strong>@UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore04theadv.JournalEntryPage.04hazards0000000]{Hazards}</strong> section).
</p>
<p>
The GM draws again later that day and gets a Queen of Spades. From an unseen burrow under the charred ground, an ankheg surfaces, hungry for fresh prey.
</p>
<div><img src="modules/swpf-core-rules/assets/art/p166_Mokmurian_Fight.webp" alt="wizard blocking golems attack with a shield spell" /></div>
</div>

<div>
<h1 class="wide no-toc">The Planes</h1>

<p>
While the world of Golarion exists on the Material Plane, there are many
other realms in other dimensions of reality known as the planes of
existence. Scholars and sages call these, collectively, the Great Beyond.
</p>
<p>
<strong>When to Use These Rules:</strong> Reference these summaries of the
five general types of planes when characters travel to other planes or
encounter creatures from the Great Beyond.
</p>
<p>
<strong>The Basics:</strong> Each plane is effectively its own universe with
its own natural laws. Rare linking points allow travel between the planes.
Some powers also allow — or prohibit — travel between the planes.
</p>

<h2>Material Plane</h2>

<p>
The default plane for play in <cite>Pathfinder for Savage Worlds</cite>, the
Material Plane operates under the same set of natural laws as our real
world. The size and scope of it depends on the GM’s campaign, although the
world of Golarion remains the focus of <em>Savage Pathfinder</em>.
</p>

<h2>Transitive Planes</h2>

<p>
These planes overlap and interact with other planes, especially the
Material. Transitive planes are accessed by powers and special abilities,
allowing for travel to other planes of reality. These are the most common:
</p>
<h3>Astral Plane</h3>
<p>
This silvery void connects the Material and Inner Planes to the outer
Planes. A traveler in the Astral Plane sees it as a vast and empty void
dotted with motes of physical reality intersecting with countless
overlapping planes.
</p>
<h3>Ethereal Plane</h3>
<p>
The Ethereal Plane overlaps with both the Material and the Shadow Plane. A
traveler experiences the Material world as if the world were an
insubstantial ghost. He can move through solid objects without being seen by
creatures in the natural world. Strange creatures dwell here; they can
sometimes influence the real world in mysterious and terrifying ways, such
as a ghost haunting a graveyard.
</p>
<h3>Shadow Plane</h3>
<p>
Best described as a warped "reflection" of the Material Plane, the Shadow
Plane is a grim, colorless "duplicate" of the real world. It is infused with
negative energies and serves as home for creatures such as undead shades.
Plane shifters use the Shadow to cross vast distances across the Material.
</p>

<h2>Inner Planes</h2>

<p>
The Inner Planes contain the building blocks of reality. Each Inner Plane is
made up of a single type of energy or element, with inhabitant of the same
type.
</p>
<h3>Elemental Planes</h3>
<p>
Air, Earth, Fire, Water — each of these elements command their own planes,
with classic Elemental creatures and other strange beings such as genies and
mephits.
</p>
<h3>Energy Planes</h3>
<p>
The energies of the Positive and Negative energy planes infuse reality on
the Material world. The former provides the spark of life, while the latter
harbors the taint of undeath. In general, all characters who use powers draw
energy from these planes as well.
</p>

<h2>Outer Planes</h2>

<p>
Beyond the mortal world, these planes are the various realms of the gods and
the final resting places of the dead from the Material Plane. Characters
with arcane powers often contact beings from these planes for advice,
guidance, and summoned allies.
</p>

<h2>Demiplanes</h2>

<p>
These are extra-dimensional spaces that function like planes but have
measurable size and limited access. Items such as a bag of holding and
portable hole access these strange places.
</p>
</div>

<div class="swpf-core"><h1 class="wide">诸界位面</h1><p>格拉里昂这个世界位于物质位面，同时其他现实次元(又称实存位面)当中还有许多其他国度，学者和贤者将其合称浩瀚众界。</p><p><strong>何时使用这些规则</strong>：当角色旅行至其他位面或是遭遇来自浩瀚众界的生物时，参照以下大体五类位面的概要。</p><p><strong>基础</strong>：每个位面各自的宇宙中都另有生效的自然法则，位面旅行可以通过稀少的连接点实现，有些奇术也能实现(或是禁止)位面之间的旅行。</p><h2>物质位面</h2><p>《狂野世界·探索者》游戏的默认位面，物质位面的机制与现实世界的自然法则相同，具体大小和范围取决于GM的战役，但《狂野世界·探索者》的焦点仍然是格拉里昂。</p><h2>过渡位面</h2><p>这些位面与其他位面交叠接触(尤其是物质位面)，可以通过奇术和特殊能力加以抵达，藉此前往其他现实位面。以下是最为常见的位面：</p><h3>星界</h3><p>这片银色虚空将物质位面及内层位面连接到外层位面，位于星界的旅者会看见一片广袤空旷的虚空，尘世现实与无数交叠位面相接的微点星罗棋布。</p><h3>灵界</h3><p>灵界同时交叠着物质位面和影界，旅者感受到的物质世界会变得如同整个世界都成为了幽灵虚影，其超出自然世界的生物所见，同时还能穿过实体物件。栖息于此的奇怪生物有时能以神秘惊悚的手段影响到真实世界(譬如在墓地作祟的幽魂)。</p><h3>影界</h3><p>影界最为准确的描述是物质位面的扭曲“倒影”，这片充斥着负能量的真实世界复制品阴森无色，同时也是不死幽影等生物的家园。位面穿行者会使用影界跨越物质位面中的长远距离。</p><h2>内层位面</h2><p>内层位面包含构筑现实的基本架构。每个内层位面都是由一种能量或元素构成，里面的原住民也与之一致。</p><h3>元素位面</h3><p>气、土、火、水——这些元素各自统御着自己的位面，此外还有经典的元素生物以及诸如巨灵和魔蝙等其他奇异存在。</p><h3>能量位面</h3><p>正能量和负能量位面的能量浇灌着物质世界现实，前者带来生命火花，后者满怀不死污秽。所有使用奇术的角色大体上都会从这些位面中汲取能量。</p><h2>外层位面</h2><p>这些坐落于凡世之外的位面乃是诸神的国度，也是物质位面死者的最终安息之处。具备奥法力量的角色通常会接触源自这些位面的存在来寻求建议、指引并召唤盟友。</p><h2>半位面</h2><p>这些异次元空间机制如同位面，但大小有度，进入受限。诸如次元袋和携带式次元洞都是通向这些奇怪的地方。</p></div>

<div class="swpf-core">
<h1 class="wide no-toc">The Planes</h1>

<p>
While the world of Golarion exists on the Material Plane, there are many
other realms in other dimensions of reality known as the planes of
existence. Scholars and sages call these, collectively, the Great Beyond.
</p>
<p>
<strong>When to Use These Rules:</strong> Reference these summaries of the
five general types of planes when characters travel to other planes or
encounter creatures from the Great Beyond.
</p>
<p>
<strong>The Basics:</strong> Each plane is effectively its own universe with
its own natural laws. Rare linking points allow travel between the planes.
Some powers also allow — or prohibit — travel between the planes.
</p>

<h2>Material Plane</h2>

<p>
The default plane for play in <cite>Pathfinder for Savage Worlds</cite>, the
Material Plane operates under the same set of natural laws as our real
world. The size and scope of it depends on the GM’s campaign, although the
world of Golarion remains the focus of <em>Savage Pathfinder</em>.
</p>

<h2>Transitive Planes</h2>

<p>
These planes overlap and interact with other planes, especially the
Material. Transitive planes are accessed by powers and special abilities,
allowing for travel to other planes of reality. These are the most common:
</p>
<h3>Astral Plane</h3>
<p>
This silvery void connects the Material and Inner Planes to the outer
Planes. A traveler in the Astral Plane sees it as a vast and empty void
dotted with motes of physical reality intersecting with countless
overlapping planes.
</p>
<h3>Ethereal Plane</h3>
<p>
The Ethereal Plane overlaps with both the Material and the Shadow Plane. A
traveler experiences the Material world as if the world were an
insubstantial ghost. He can move through solid objects without being seen by
creatures in the natural world. Strange creatures dwell here; they can
sometimes influence the real world in mysterious and terrifying ways, such
as a ghost haunting a graveyard.
</p>
<h3>Shadow Plane</h3>
<p>
Best described as a warped "reflection" of the Material Plane, the Shadow
Plane is a grim, colorless "duplicate" of the real world. It is infused with
negative energies and serves as home for creatures such as undead shades.
Plane shifters use the Shadow to cross vast distances across the Material.
</p>

<h2>Inner Planes</h2>

<p>
The Inner Planes contain the building blocks of reality. Each Inner Plane is
made up of a single type of energy or element, with inhabitant of the same
type.
</p>
<h3>Elemental Planes</h3>
<p>
Air, Earth, Fire, Water — each of these elements command their own planes,
with classic Elemental creatures and other strange beings such as genies and
mephits.
</p>
<h3>Energy Planes</h3>
<p>
The energies of the Positive and Negative energy planes infuse reality on
the Material world. The former provides the spark of life, while the latter
harbors the taint of undeath. In general, all characters who use powers draw
energy from these planes as well.
</p>

<h2>Outer Planes</h2>

<p>
Beyond the mortal world, these planes are the various realms of the gods and
the final resting places of the dead from the Material Plane. Characters
with arcane powers often contact beings from these planes for advice,
guidance, and summoned allies.
</p>

<h2>Demiplanes</h2>

<p>
These are extra-dimensional spaces that function like planes but have
measurable size and limited access. Items such as a bag of holding and
portable hole access these strange places.
</p>
</div>

<div>
<h1 class="wide no-toc">Social Conflict</h1>
<p>
Not every conflict is won by the blade. Successful oratory can topple nations.
</p>
<p>
<strong>When to Use These Rules:</strong> Most social exchanges are a simple
skill roll resisted by the appropriate Trait, such as @Compendium[swpf-core-rules.swpf-skills.Intimidation]{Intimidation} or
@Compendium[swpf-core-rules.swpf-skills.Persuasion]{Persuasion} vs. @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore01charac.JournalEntryPage.01traitsummari00]{Spirit}. For longer interactions, such as the back and forth
of a long argument, negotiation, or a legal proceeding, the following system
adds some drama and structure to each side's discussion. (The GM might use a
@UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore04theadv.JournalEntryPage.04dramatictask00]{Dramatic Task} instead if the argument must be won in a hurry!)
</p>
<p>
<strong>The Basics:</strong> Characters make arguments back and forth over
three rounds, roll their appropriate skills, then consult the
<strong>Conflict Results</strong> table (below) to see how well they've
influenced their audience.
</p>

<h2>Conflict Rounds</h2>

<p>
The conflict is broken down into three rounds of conversation, each focusing
on a particular point (or a few highly connected points).
</p>
<p>
During each round, the player roleplays her character's argument and makes a
@Compendium[swpf-core-rules.swpf-skills.Persuasion]{Persuasion} roll opposed by the Spirit of whoever she's trying to convince.
If a rival argues against her, the roll is opposed by his Persuasion instead.
</p>
<p>
Each success and raise by the petitioner grants her an "Influence Token"
(rivals don't gain tokens, they just oppose the petitioner and keep her from
gaining them).
</p>
<p>
<strong>Modifiers:</strong> Persuasion rolls should be modified by the
situation as the GM sees fit. A hero trying to convince a wizard of a fact
within his field rolls the lowest of his Persuasion or @Compendium[swpf-core-rules.swpf-skills.Occult]{Occult}. A
particularly brilliant argument or impassioned roleplaying might add +1 to
+4. An insult or <em>faux pas</em> inflicts a similar penalty.
</p>
<p>
Hindrances should also be considered. Convincing a jury that an @Compendium[swpf-core-rules.swpf-hindrances.Outsider]{Outsider
(Major)} is innocent of a crime, for example, might inflict a −2 penalty.
</p>
<h3>Results</h3>
<p>
At the end of the third round, the speaker looks up her total Influence
Tokens on the <strong>Social Conflict Results</strong> table below.
</p>
<p>
<strong>Trials:</strong> Run trials and similar conflicts from the accuser's
point of view since they must usually prove the accused's guilt. If the
player characters are the defenders, they oppose the prosecution and must
keep them from gaining Influence Tokens with the judge (baron, king,
warlord, etc.).
</p>
<p>
Accusers in a trial must get at least three tokens to convict. Lesser or
greater results indicate the degree of punishment based on local customs and
laws.
</p>

<h2>Example: To Arms!</h2>

<p>
The cleric must convince a baron to send troops to the defense of a
neighboring fiefdom. The barony has warred with his neighbor for generations
so the GM decides that's a −4 penalty to the @Compendium[swpf-core-rules.swpf-skills.Persuasion]{Persuasion} roll.
</p>
<p>
Worse, she's opposed by his slimy wizard, who argues against the idea every round (he opposes her Persuasion rolls).
</p>
<p>
The cleric gets lucky the first round and gets a @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore03rules0.JournalEntryPage.03rules000000000]{raise}. That's two Influence
Tokens. She fails on the second, but gets another raise in the third, for a total of four tokens.
</p>
<p>
The baron agrees but requires payment in land from his neighbor in return for sending part of his army to his rival's defense.
</p>

<table>
<colgroup>
<col style="width:15%"></col>
<col style="width:85%"></col>
</colgroup>
<tbody>
<tr>
<th class="main-heading" colspan="2">Social Conflict Results</th>
</tr>
<tr>
<th class="sub-heading left">Tokens</th>
<th class="sub-heading left">Results</th>
</tr>
<tr>
<td>0</td>
<td>
Pleas are denied and negotiations fail. Discussions may reopen if new
information is presented or favors are performed. In a trial, the
defendant is acquitted.
</td>
</tr>
<tr>
<td>1–3</td>
<td>
The target isn't truly convinced, but provides the minimum amount of
support possible. In a trial, the defendant receives the minimum
penalty.
</td>
</tr>
<tr>
<td>4–5</td>
<td>
The arbiter is reasonably convinced or willing to help. He grants the
aid requested, more or less, but only under certain conditions or in
exchange for payment, tasks, favors, etc. The prosecution is
successful with typical sentencing in a trial.
</td>
</tr>
<tr>
<td>6+</td>
<td>
The target is eager to help or agree. He gives more than expected in a
negotiation or provides more support than requested. A defendant is
convicted with the maximum penalty.
</td>
</tr>
</tbody>
</table>
</div>

<div class="swpf-core">
<h1 class="wide">社交冲突</h1><p>剑非胜万物，舌灿可倾国。</p>
<p><strong>何时使用这些规则</strong>：绝大多数社交博弈只需要进行一次简单的技能投骰，并以对应的特性进行对抗(比如威吓或交涉VS心魂)。下列系统则能就长时间的交锋(譬如你来我往的长期辩论、谈判或诉讼)为各方的讨论提供框架的同时增添一点戏剧性。若辩论需要分秒必争决出胜负，GM可以使用剧情任务以作替代！</p>
<p><strong>基础</strong>：角色们在三轮内针锋相对，进行合适的技能投骰，查询<strong>冲突结果</strong>表(见下)来确定自己对观众产生了多少影响。</p>
<h2>冲突轮</h2>
<p>冲突会分拆成三轮的讨论，每轮都聚焦于某一特定的点(或一些有紧密联系的观点)。</p>
<p>玩家在每轮中以角色扮演表明论点，进行一次交涉投骰，并与尝试说服的对象其心魂进行对抗。若对手尝试予以反驳，则变成与反驳方的交涉对抗。</p>
<p>发言者的每次成功和优良都能获得一个“影响力标识”(反驳者不会获得标识，其只是反对并阻止发言者获得标识)。</p>
<p><strong>调整值</strong>：GM可以根据情形对角色的交涉投骰予以调整。角色尝试说服法师接受自己领域内的事实时需要投交涉和神秘学中的最低者。妙语连珠的驳斥或激情四溢的角色扮演也许能获得+1到+4的加值。辱骂冒犯或<em>失言出丑</em>则会带来类似的减值。</p>
<p>负赘也应予以考虑。举例而言，为异客(主要)进行无罪辩护，就会产生-2减值。</p>
<h3>结果</h3>
<p>在第三轮结束时，发言者要根据拥有的所有影响力标识并以下文的<strong>社交冲突结果</strong>表确定结果。</p>
<p><strong>审判</strong>：以控告方的视角进行审判和类似的冲突通常必须要证明被告方的罪行。若玩家角色是辩护方，他们就必须与诉讼对抗，阻止控告方在审判中从法官(男爵、国王、领主等等)处获得影响力标识。</p>
<p>审判中的控告方至少需要获得三个标识才能定罪。更差或更好的结果都会在当地习俗和法律的基础上影响惩罚的力度。</p>
<h3>社交冲突结果</h3>
<table>
<thead>
<tr>
<th class="main-heading" colspan="2">社交冲突结果</th></tr><tr>
<th class="sub-heading">标识数</th>
<th class="sub-heading">结果</th>
</tr>
</thead>
<tbody>
<tr>
<td class="centered">0</td>
<td class="centered">请求被拒绝，谈判失败。只有新情报出现或另有他人伸出援手时才能重开讨论。在审判中，被告被判无罪。</td>
</tr>
<tr>
<td class="centered">1-3</td>
<td class="centered">目标并未被完全说服，但会提供可能的最低程度的支援。审判中，被告受到最轻的惩罚。</td>
</tr>
<tr>
<td class="centered">4-5</td>
<td class="centered">仲裁人被合理地说服，或愿意提供帮助。在以报酬、任务、人情等作为交换或在特定状况下，他或多或少会提供需要的帮助。诉讼会成功，并得到正常的判决。</td>
</tr>
<tr>
<td class="centered">6+</td>
<td class="centered">目标乐于提供帮助，或点头称道。谈判中他给出的标的远超预期或提供多于所需的援助。被告将被判受到最重的惩罚。</td>
</tr>
</tbody>
</table>
<h2 class="example">例子：请派兵！</h2>
<p>牧师必须说服男爵出兵帮邻近封地进行防御。因为男爵和其邻居打了好几代人的仗，所以GM判定红的交涉投骰会有-4减值。</p>
<p>更糟的是，她还遭到了男爵那谄媚法师的反对，这人每轮都会就此观点予以反驳(法师用交涉投骰对抗)。</p>
<p>牧师在第一轮幸运地获得了成功和优良，那意味着获得两个影响力标识。第二轮她失败了，但第三轮又取得了一次优良。这样总计就是四个标识。</p>
<p>男爵同意出兵，但他要求就派出其部分兵力协助对手防御这点换取对方的土地作为报酬。</p>
</div>

<div class="swpf-core">
<h1 class="wide no-toc">Social Conflict</h1>
<p>
Not every conflict is won by the blade. Successful oratory can topple nations.
</p>
<p>
<strong>When to Use These Rules:</strong> Most social exchanges are a simple
skill roll resisted by the appropriate Trait, such as @Compendium[swpf-core-rules.swpf-skills.Intimidation]{Intimidation} or
@Compendium[swpf-core-rules.swpf-skills.Persuasion]{Persuasion} vs. @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore01charac.JournalEntryPage.01traitsummari00]{Spirit}. For longer interactions, such as the back and forth
of a long argument, negotiation, or a legal proceeding, the following system
adds some drama and structure to each side's discussion. (The GM might use a
@UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore04theadv.JournalEntryPage.04dramatictask00]{Dramatic Task} instead if the argument must be won in a hurry!)
</p>
<p>
<strong>The Basics:</strong> Characters make arguments back and forth over
three rounds, roll their appropriate skills, then consult the
<strong>Conflict Results</strong> table (below) to see how well they've
influenced their audience.
</p>

<h2>Conflict Rounds</h2>

<p>
The conflict is broken down into three rounds of conversation, each focusing
on a particular point (or a few highly connected points).
</p>
<p>
During each round, the player roleplays her character's argument and makes a
@Compendium[swpf-core-rules.swpf-skills.Persuasion]{Persuasion} roll opposed by the Spirit of whoever she's trying to convince.
If a rival argues against her, the roll is opposed by his Persuasion instead.
</p>
<p>
Each success and raise by the petitioner grants her an "Influence Token"
(rivals don't gain tokens, they just oppose the petitioner and keep her from
gaining them).
</p>
<p>
<strong>Modifiers:</strong> Persuasion rolls should be modified by the
situation as the GM sees fit. A hero trying to convince a wizard of a fact
within his field rolls the lowest of his Persuasion or @Compendium[swpf-core-rules.swpf-skills.Occult]{Occult}. A
particularly brilliant argument or impassioned roleplaying might add +1 to
+4. An insult or <em>faux pas</em> inflicts a similar penalty.
</p>
<p>
Hindrances should also be considered. Convincing a jury that an @Compendium[swpf-core-rules.swpf-hindrances.Outsider]{Outsider
(Major)} is innocent of a crime, for example, might inflict a −2 penalty.
</p>
<h3>Results</h3>
<p>
At the end of the third round, the speaker looks up her total Influence
Tokens on the <strong>Social Conflict Results</strong> table below.
</p>
<p>
<strong>Trials:</strong> Run trials and similar conflicts from the accuser's
point of view since they must usually prove the accused's guilt. If the
player characters are the defenders, they oppose the prosecution and must
keep them from gaining Influence Tokens with the judge (baron, king,
warlord, etc.).
</p>
<p>
Accusers in a trial must get at least three tokens to convict. Lesser or
greater results indicate the degree of punishment based on local customs and
laws.
</p>

<h2>Example: To Arms!</h2>

<p>
The cleric must convince a baron to send troops to the defense of a
neighboring fiefdom. The barony has warred with his neighbor for generations
so the GM decides that's a −4 penalty to the @Compendium[swpf-core-rules.swpf-skills.Persuasion]{Persuasion} roll.
</p>
<p>
Worse, she's opposed by his slimy wizard, who argues against the idea every round (he opposes her Persuasion rolls).
</p>
<p>
The cleric gets lucky the first round and gets a @UUID[Compendium.swpf-core-rules.swpf-rules.swpfcore03rules0.JournalEntryPage.03rules000000000]{raise}. That's two Influence
Tokens. She fails on the second, but gets another raise in the third, for a total of four tokens.
</p>
<p>
The baron agrees but requires payment in land from his neighbor in return for sending part of his army to his rival's defense.
</p>

<table>
<colgroup>
<col style="width: 15%">
</col>
<col style="width: 85%">
</col>
</colgroup>
<tbody>
<tr>
<tr>
<th class="main-heading" colspan="2">Social Conflict Results</th>
</tr>
<tr>
</tr>
<tr>
<th class="sub-heading left">Tokens</th>
<th class="sub-heading left">Results</th>
</tr>
<tr>
<td>0</td>
<td>
</tr>
<tr>
<td>0</td>
<td>
Pleas are denied and negotiations fail. Discussions may reopen if new
information is presented or favors are performed. In a trial, the
defendant is acquitted.
</td>
</tr>
<tr>
<td>1–3</td>
<td>
</td>
</tr>
<tr>
<td>1–3</td>
<td>
The target isn't truly convinced, but provides the minimum amount of
support possible. In a trial, the defendant receives the minimum
penalty.
</td>
</tr>
<tr>
<td>4–5</td>
<td>
penalty.
</td>
</tr>
<tr>
<td>4–5</td>
<td>
The arbiter is reasonably convinced or willing to help. He grants the
aid requested, more or less, but only under certain conditions or in
exchange for payment, tasks, favors, etc. The prosecution is
successful with typical sentencing in a trial.
</td>
</tr>
<tr>
<td>6+</td>
<td>
</td>
</tr>
<tr>
<td>6+</td>
<td>
The target is eager to help or agree. He gives more than expected in a
negotiation or provides more support than requested. A defendant is
convicted with the maximum penalty.
</td>
</td>
</tr>
</tbody>
</table>
</div>